Art
SinghTwins Exhibit at The National Portrait Gallery
by ART DAILY
Work by The Singh Twins will be on display at the world-renowned National Portrait Gallery in London, England, for the first time in March 2010.
The twin sisters - Amrit and Rabindra Kaur Singh - are contemporary British
artists whose award-winning paintings explore issues of social,
political, religious and multicultural debate. The display will offer a
contemporary response to the concurrent exhibition, The Indian Portrait
1560-1860, and The Singh Twins have created a new Gallery trail to draw
links between their work, The Indian Portrait 1560-1860, and the
Gallery's permanent Collection.
Using a narrative, decorative, symbolic and witty 'Past Modern' (as
opposed to Post Modern) style, The Singh Twins have revived the Indian
miniature tradition within modern art practice.
They say: 'Our work
bridges many worlds, the ancient and the modern; fusing both Western
and Eastern aesthetic elements ... using an ancient art form to deal
with contemporary issues. Our aim is to introduce wider audiences to
the beauty, richness and continuing value of our heritage within
contemporary art and society.'
Twenty-seven works will be on display including Arts Matters: The
Pool of Life (2008) which was commissioned by Liverpool City Council
and celebrates the city's status as European Capital of Culture in
2008; Partners in Crime: Deception and Lies (2004), featuring George W.
Bush and Tony Blair following the invasion of Iraq in the aftermath of
9/11; Nineteen Eighty-Four, an iconic depiction of the assault on Sikhdom holiest of holies, The Golden Temple in Amritsar, by Indira Gandhi's troops in 1984; and The Greatest (2002) depicting Muhammad Ali in the
conventional style used for depicting royalty within the Mughal School
of the Indian miniature tradition.
Also on display will be the award
winning The Making of Liverpool, The Singh Twins' first animated film,
which combines the Indian miniature tradition with the latest digital
technology to show the history and changing identity of the city.
The new Gallery trail by The Singh Twins will link their work with
The Indian Portrait 1560-1860, and the Gallery's permanent Collection.
The trail will highlight how The Singh Twins are influenced by both
Indian and Western portraiture in terms of themes, art practice,
technique, pose and gesture, iconography and symbolism.
The Singh Twins
say: 'One of our main aims as artists to challenge generally accepted
notions of heritage and identity. In particular, what we believe to be
the generally held but false perceptions of division between east and
west, modernity and tradition in art and society'.
London born twin sisters Amrit and Rabindra studied Art at
University College of Chester (now called University of Chester) and
Manchester University. Their work has been the subject of nearly forty
solo exhibitions, including those at the Glasgow Gallery of Modern Art,
Birmingham City Art Gallery, Leeds City Art Gallery, The Walker Art
Gallery, Liverpool and the National Gallery of Modern Art in both Delhi
and Mumbai.
The Singh Twins were artists in residence for the
Commonwealth Games 2002 and their work has been published in nine books
including the Oxford Encyclopedia
of Women in World History, Twin Perspectives and Worlds A-Part.
Contemporary Connections: The Singh Twins will offer a contemporary
response to the major exhibition The Indian Portrait: 1560-1860 (11
March - 20 June 2010), the first ever exhibition devoted to Indian
portraiture which will include 60 outstanding portraits drawn from
collections in the UK, USA and Europe. The exhibition sets out to show
that Indian portraiture, an area of artistic achievement overlooked in
Britain, should be seen alongside other outstanding portraits from
around the world.
[For more on the art of The Singh Twins: www.SinghTwins.co.uk]
February 9, 2010
Conversation about this article
1: B. (London, United Kingdom), March 15, 2010, 11:13 AM.
It is a great exhibition and I thoroughly recommend those on London to see it. I attended the opening.